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Meg seeks marriage, comfort and family – all the things that Jo determinedly rebels against, and Gerwig refuses to judge her for it.
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Her work in Noah is particularly harrowing – a scene in which she begs Russell Crowe’s Noah not to kill her newborn children is a testament to how powerful she can be when directed well.Īccess unlimited streaming of movies and TV shows with Amazon Prime Video Sign up now for a 30-day free trial Sign upīut it’s Meg who quietly embodies the feminism of Gerwig’s take on Little Women. In both, she plays traditional love-interest roles, but instils in her respective characters a very human sensitivity and quiet strength. The Bling Ring remains Watson’s loudest work, but she is similarly compelling in 2012’s The Perks of Being a Wallflower and Darren Aronofsky’s Noah (2014).
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Endlessly wrapped in Juicy Couture sweats, she is ruthless, pithy and cruel, hungry for fame but settling for infamy. Her sticky American vocal fry is clipped and monotone, as if she’s swallowed a Kardashian for breakfast. As one of a real-life gang of wealthy teenagers who began robbing the homes of Paris Hilton, Lindsay Lohan and cast members of The Hills in the late-2000s – only for it all to end in tears and a short-lived E! reality show – Watson oozes casual disdain. Transitioning from magical bookworm to vapid Los Angeles cat burglar might seem a stretch, but she proved remarkable. Sofia Coppola’s The Bling Ring (2013) provided Watson with her most interesting role to date.